{"id":456,"date":"2026-07-20T21:55:20","date_gmt":"2026-07-20T12:55:20","guid":{"rendered":"https:\/\/humanlight.world\/?p=456"},"modified":"2026-07-21T20:39:20","modified_gmt":"2026-07-21T11:39:20","slug":"karin-noda-in-the-cloth-there-are-people","status":"publish","type":"post","link":"https:\/\/humanlight.world\/fr\/karin-noda-in-the-cloth-there-are-people\/","title":{"rendered":"Karin Noda \u2014 Dans le tissu, il y a des gens"},"content":{"rendered":"<div class=\"tcdce-body\"><p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"496\" data-permalink=\"https:\/\/humanlight.world\/fr\/karin-noda-in-the-cloth-there-are-people\/dsc_1890v4\/\" data-orig-file=\"https:\/\/humanlight.world\/wp-content\/uploads\/2026\/07\/DSC_1890v4.jpg\" data-orig-size=\"855,600\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;camera&quot;:&quot;NIKON D780&quot;,&quot;created_timestamp&quot;:&quot;1784185526&quot;,&quot;focal_length&quot;:&quot;24&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;0.016666666666667&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"DSC_1890v4\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/humanlight.world\/wp-content\/uploads\/2026\/07\/DSC_1890v4.jpg\" src=\"https:\/\/humanlight.world\/wp-content\/uploads\/2026\/07\/DSC_1890v4.jpg\" alt=\"\" width=\"855\" height=\"600\" class=\"alignnone size-full wp-image-496\" \/><br \/>\n\u00c0 Yokogawa, un vieux quartier d\u2019Hiroshima, une maison de ville de trois \u00e9tages a retrouv\u00e9 une nouvelle vie. C\u2019est dans ses pi\u00e8ces \u2014 r\u00e9nov\u00e9es, mais conservant encore le cachet de l\u2019ancien b\u00e2timent \u2014 que Karin Noda travaille, sous le nom de \u00ab Yokogawa Guild \u00bb. N\u00e9e \u00e0 Hatsukaichi, elle a suivi une formation en c\u00e9ramique, puis s\u2019est essay\u00e9e \u00e0 l\u2019\u00e9criture d\u2019essais avant de trouver le mat\u00e9riau qui allait la passionner : le tissu. Un kimono qui dormait depuis longtemps au fond d\u2019un tiroir devient un sac, puis un manteau, et passe \u00e0 nouveau ses journ\u00e9es entre les mains de quelqu\u2019un.<br \/>\n<div data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\/\/humanlight.world\/fr\/karin-noda-in-the-cloth-there-are-people\/&quot;}' id='gallery-1' class='gallery galleryid-456 gallery-columns-2 gallery-size-full'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"855\" src=\"https:\/\/humanlight.world\/wp-content\/uploads\/2026\/07\/DSC_1795v2-1.jpg\" class=\"attachment-full size-full\" alt=\"\" data-attachment-id=\"478\" data-permalink=\"https:\/\/humanlight.world\/fr\/karin-noda-in-the-cloth-there-are-people\/dsc_1795v2-2\/\" data-orig-file=\"https:\/\/humanlight.world\/wp-content\/uploads\/2026\/07\/DSC_1795v2-1.jpg\" data-orig-size=\"600,855\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;camera&quot;:&quot;NIKON D780&quot;,&quot;created_timestamp&quot;:&quot;1784167489&quot;,&quot;focal_length&quot;:&quot;24&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;0.016666666666667&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"DSC_1795v2\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/humanlight.world\/wp-content\/uploads\/2026\/07\/DSC_1795v2-1.jpg\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"855\" src=\"https:\/\/humanlight.world\/wp-content\/uploads\/2026\/07\/DSC_1829v3.jpg\" class=\"attachment-full size-full\" alt=\"\" data-attachment-id=\"470\" data-permalink=\"https:\/\/humanlight.world\/fr\/dsc_1829v3\/\" data-orig-file=\"https:\/\/humanlight.world\/wp-content\/uploads\/2026\/07\/DSC_1829v3.jpg\" data-orig-size=\"600,855\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;camera&quot;:&quot;NIKON D780&quot;,&quot;created_timestamp&quot;:&quot;1784170748&quot;,&quot;focal_length&quot;:&quot;24&quot;,&quot;iso&quot;:&quot;1250&quot;,&quot;shutter_speed&quot;:&quot;0.04&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"DSC_1829v3\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/humanlight.world\/wp-content\/uploads\/2026\/07\/DSC_1829v3.jpg\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<h2 class=\"custom_h2\">Story Wear<\/h2>\n<p>Re:ADY B, la marque de SETOUCHI MIRAI DESIGN Inc., dont Noda est la directrice g\u00e9n\u00e9rale, appelle ce concept \u00ab Story Wear \u00bb. On porte ce tissu r\u00e9utilis\u00e9 avec tout le temps qu\u2019il a d\u00e9j\u00e0 travers\u00e9, et comme chaque kimono et chaque obi sont uniques, il n\u2019y a jamais deux pi\u00e8ces identiques. Son ambition va toutefois bien au-del\u00e0 de la simple r\u00e9utilisation. Elle entend changer la fa\u00e7on dont le kimono est per\u00e7u : le faire sortir du tiroir et des occasions formelles, d\u00e9passer les anciennes r\u00e8gles dictant qui peut porter quoi, et le r\u00e9introduire dans la vie quotidienne, pour qu\u2019il soit port\u00e9, utilis\u00e9 et fasse partie int\u00e9grante du quotidien.<\/p>\n<h2 class=\"custom_h2\">Les mains qui fa\u00e7onnent le tissu<\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"476\" data-permalink=\"https:\/\/humanlight.world\/fr\/karin-noda-in-the-cloth-there-are-people\/dsc_1782v3\/\" data-orig-file=\"https:\/\/humanlight.world\/wp-content\/uploads\/2026\/07\/DSC_1782v3.jpg\" data-orig-size=\"855,600\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;camera&quot;:&quot;NIKON D780&quot;,&quot;created_timestamp&quot;:&quot;1784166064&quot;,&quot;focal_length&quot;:&quot;70&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;0.016666666666667&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"DSC_1782v3\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/humanlight.world\/wp-content\/uploads\/2026\/07\/DSC_1782v3.jpg\" src=\"https:\/\/humanlight.world\/wp-content\/uploads\/2026\/07\/DSC_1782v3.jpg\" alt=\"Couture et d\u00e9couture d&#039;un kimono pour Re:ADY B\" width=\"855\" height=\"600\" class=\"alignnone size-full wp-image-476\" \/><br \/>\nLes artisans, eux aussi, font partie int\u00e9grante du tissu, dans des endroits qui restent invisibles. La couture, ainsi que le d\u00e9cousage de chaque kimono fil par fil, sont r\u00e9alis\u00e9s dans onze ateliers de soutien \u00e0 l\u2019emploi de type B situ\u00e9s \u00e0 Hatsukaichi, Hiroshima, Mihara et Fukuyama. Ind\u00e9pendamment du handicap ou du genre, un salaire \u00e9quitable est vers\u00e9 pour le travail effectu\u00e9 \u2014 la seule chose \u00e0 laquelle Noda a refus\u00e9 de renoncer. Parmi les membres cl\u00e9s qui font vivre la marque, on trouve des femmes qui \u00e9l\u00e8vent leurs enfants. Entre ses mains, un v\u00eatement devient un moyen de partager plus \u00e9quitablement le travail lui-m\u00eame.<\/p>\n<h2 class=\"custom_h2\">Un artisanat que l'on peut emporter avec soi<\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"475\" data-permalink=\"https:\/\/humanlight.world\/fr\/karin-noda-in-the-cloth-there-are-people\/dsc_1754v3\/\" data-orig-file=\"https:\/\/humanlight.world\/wp-content\/uploads\/2026\/07\/DSC_1754v3.jpg\" data-orig-size=\"855,600\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;camera&quot;:&quot;NIKON D780&quot;,&quot;created_timestamp&quot;:&quot;1784163934&quot;,&quot;focal_length&quot;:&quot;31&quot;,&quot;iso&quot;:&quot;800&quot;,&quot;shutter_speed&quot;:&quot;0.033333333333333&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"DSC_1754v3\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/humanlight.world\/wp-content\/uploads\/2026\/07\/DSC_1754v3.jpg\" src=\"https:\/\/humanlight.world\/wp-content\/uploads\/2026\/07\/DSC_1754v3.jpg\" alt=\"S\u00e9rie MIKOSHI : poign\u00e9e en laiton avec ornements m\u00e9talliques \u00ab kazari \u00bb\" width=\"855\" height=\"600\" class=\"alignnone size-full wp-image-475\" \/><br \/>\nLa s\u00e9rie MIKOSHI est embl\u00e9matique. Ses poign\u00e9es sont r\u00e9alis\u00e9es selon les techniques de ciselage transmises par la tradition de l\u2019orf\u00e8vrerie \u00ab kazari \u00bb des butsudan d\u2019Hiroshima, les autels bouddhistes traditionnels de la r\u00e9gion. R\u00e9alis\u00e9es en collaboration avec l\u2019atelier Yoshida Butsudan Kanagu Seisakusho, \u00e9tabli de longue date, ces ferrures en laiton sont destin\u00e9es \u00e0 \u00eatre polies et entretenues par leur propri\u00e9taire ; au fil du temps, elles peuvent \u00eatre d\u00e9mont\u00e9es, repolies et redonn\u00e9es tout leur \u00e9clat. Un savoir-faire artisanal japonais traditionnel que vous pouvez emporter avec vous. Le sac MIKOSHI a remport\u00e9 la m\u00e9daille d\u2019or aux London Design Awards 2026 \u2014 c\u2019\u00e9tait la premi\u00e8re fois qu\u2019une entreprise japonaise \u00e9tait r\u00e9compens\u00e9e dans cette cat\u00e9gorie. Cette m\u00eame philosophie impr\u00e8gne le reste de la collection : des obi transform\u00e9s en pochettes pouvant se porter de huit fa\u00e7ons diff\u00e9rentes, voire plus, des porte-cartes, des vestes et des manteaux longs confectionn\u00e9s \u00e0 partir de kimonos h\u00e9rit\u00e9s, chacun \u00e9tant une pi\u00e8ce unique.<\/p>\n<h2 class=\"custom_h2\">Le b\u00e2timent, et la suite des \u00e9v\u00e9nements<\/h2>\n<p>Yokogawa Guild est bien plus qu\u2019un simple atelier. Cette ancienne maison de ville abrite d\u00e9sormais plusieurs petites entreprises sous un m\u00eame toit, et Noda pr\u00e9voit d\u2019ouvrir le rez-de-chauss\u00e9e en boutique, afin que les cr\u00e9ations puissent \u00eatre d\u00e9couvertes \u00e0 l\u2019endroit m\u00eame o\u00f9 elles sont fabriqu\u00e9es. Son travail a \u00e9t\u00e9 retenu dans le cadre de programmes nationaux destin\u00e9s aux cr\u00e9ateurs d\u2019entreprise et s\u2019est export\u00e9 \u00e0 l\u2019\u00e9tranger, mais son centre de gravit\u00e9 reste ici \u2014 dans un b\u00e2timent qui, \u00e0 l\u2019instar des tissus qu\u2019elle transforme, a retrouv\u00e9 une nouvelle vie.<\/p>\n<h2 class=\"custom_h2\">Que vous le vouliez ou non<\/h2>\n<p>La philosophie de l'entreprise consiste \u00e0 cr\u00e9er des designs qui changent des vies. La devise de Noda est simple et claire : \u00ab La question n'est pas de savoir si vous pouvez ou non, mais si vous le ferez ou non. \u00bb.<br \/>\nDans un simple morceau de tissu se sont discr\u00e8tement accumul\u00e9s les moments v\u00e9cus par ceux qui l\u2019ont tiss\u00e9, port\u00e9 et abandonn\u00e9. Le travail de Karin Noda emp\u00eache ce temps d\u2019\u00eatre mis au rebut. Elle offre une place \u00e0 ces objets que l\u2019on croit avoir fait leur temps, ainsi qu\u2019\u00e0 ces mains longtemps ignor\u00e9es. Dans ce tissu, il y a des gens.<br \/>\n<div data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\/\/humanlight.world\/fr\/karin-noda-in-the-cloth-there-are-people\/&quot;}' id='gallery-2' class='gallery galleryid-456 gallery-columns-2 gallery-size-full'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"855\" src=\"https:\/\/humanlight.world\/wp-content\/uploads\/2026\/07\/DSC_1826v3.jpg\" class=\"attachment-full size-full\" alt=\"\" data-attachment-id=\"485\" data-permalink=\"https:\/\/humanlight.world\/fr\/dsc_1826v3\/\" data-orig-file=\"https:\/\/humanlight.world\/wp-content\/uploads\/2026\/07\/DSC_1826v3.jpg\" data-orig-size=\"600,855\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;camera&quot;:&quot;NIKON D780&quot;,&quot;created_timestamp&quot;:&quot;1784169073&quot;,&quot;focal_length&quot;:&quot;31&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;0.016666666666667&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"DSC_1826v3\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/humanlight.world\/wp-content\/uploads\/2026\/07\/DSC_1826v3.jpg\" \/>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"855\" src=\"https:\/\/humanlight.world\/wp-content\/uploads\/2026\/07\/DSC_1770v3jpg.jpg\" class=\"attachment-full size-full\" alt=\"\" data-attachment-id=\"472\" data-permalink=\"https:\/\/humanlight.world\/fr\/dsc_1770v3jpg\/\" data-orig-file=\"https:\/\/humanlight.world\/wp-content\/uploads\/2026\/07\/DSC_1770v3jpg.jpg\" data-orig-size=\"600,855\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;4&quot;,&quot;camera&quot;:&quot;NIKON D780&quot;,&quot;created_timestamp&quot;:&quot;1784165484&quot;,&quot;focal_length&quot;:&quot;34&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;0.016666666666667&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"DSC_1770v3jpg\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/humanlight.world\/wp-content\/uploads\/2026\/07\/DSC_1770v3jpg.jpg\" \/>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<h2 class=\"custom_h2\">O\u00f9 trouver Re:ADY B<\/h2>\n<p>Boutique en ligne : <a href=\"https:\/\/readyb.store\" target=\"_blank\" rel=\"noopener\">readyb.store<\/a><br \/>\nInstagram : <a href=\"https:\/\/www.instagram.com\/ethical_ready.b\" target=\"_blank\" rel=\"noopener\">@ethical_ready.b<\/a><br \/>\nSETOUCHI MIRAI DESIGN Inc. : <a href=\"https:\/\/sfdesign.co.jp\" target=\"_blank\" rel=\"noopener\">sfdesign.co.jp<\/a><br \/>\nPhotographie : Mariko Akimoto \/ Studio Tales<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"\u00c0 Yokogawa, un vieux quartier d\u2019Hiroshima, une maison de ville de trois \u00e9tages a retrouv\u00e9 une nouvelle vie. C'est dans ses pi\u00e8ces \u2014 r\u00e9nov\u00e9es, mais conservant n\u00e9anmoins le cachet de l'ancien b\u00e2timent \u2014 que Karin Noda travaille, sous le nom de Yokogawa Guild. N\u00e9e \u00e0 Hatsukaichi, elle a suivi une formation en c\u00e9ramique, puis s'est essay\u00e9e \u00e0 l'\u00e9criture d'essais avant de trouver le mat\u00e9riau qui allait la passionner : le tissu. Un kimono...","protected":false},"author":1,"featured_media":459,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[4],"tags":[90,16,38,87,92,88,89,91],"class_list":["post-456","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-creative-works","tag-ethical-fashion","tag-hiroshima","tag-human-light","tag-karin-noda","tag-mikoshi","tag-ready-b","tag-setouchi-mirai-design","tag-upcycling"],"jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack_featured_media_url":"https:\/\/humanlight.world\/wp-content\/uploads\/2026\/07\/DSC_1874-v\uff12.jpg","_links":{"self":[{"href":"https:\/\/humanlight.world\/fr\/wp-json\/wp\/v2\/posts\/456","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanlight.world\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanlight.world\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanlight.world\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/humanlight.world\/fr\/wp-json\/wp\/v2\/comments?post=456"}],"version-history":[{"count":18,"href":"https:\/\/humanlight.world\/fr\/wp-json\/wp\/v2\/posts\/456\/revisions"}],"predecessor-version":[{"id":497,"href":"https:\/\/humanlight.world\/fr\/wp-json\/wp\/v2\/posts\/456\/revisions\/497"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanlight.world\/fr\/wp-json\/wp\/v2\/media\/459"}],"wp:attachment":[{"href":"https:\/\/humanlight.world\/fr\/wp-json\/wp\/v2\/media?parent=456"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanlight.world\/fr\/wp-json\/wp\/v2\/categories?post=456"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanlight.world\/fr\/wp-json\/wp\/v2\/tags?post=456"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}