Series
Le Gang du Zabuton at INALCO 2026 | Human Light
Thursday afternoon, March 26, 2026. 65 rue des Grands Moulins, Paris 13th arrondissement. That day, the halls of INALCO — the National Institute of Oriental Languages and Civilisations — were filled with Japanese from morning on. The Journée du Japon, the annual event organised by the student association Dejima. Koto, taiko, calligraphy, matcha — people who love Japanese culture, friends of performers, families and...
Communities & Initiatives
Culture Is Oxygen. — Wilson Claude Balda and His Small Laboratory in ...
A few minutes from Saint-Paul station, at 17 rue François Miron in Paris’s 4th arrondissement, a large carriage gate opens onto a courtyard. Beyond it, a gallery. Rare Gallery Paris 4. The sign is modest. But inside, three spaces across two floors hold paintings, photographs, sculptures — and sometimes music. Quietly, or with energy, they surround whoever enters. The person who built this space,...
Human Stories
David Beaulieu — A Life in Many Acts
The Light of a Storyteller “Paris is my city.” He says it simply, without ceremony. And walking alongside David Beaulieu through the streets of Paris, you understand exactly what he means. David is a French actor based in Paris. Trained at the Cours Florent, one of France’s well-known drama schools, he first took to the stage at 16 and acted until 28. Life then...
Creative Works
Calligraphy as a Bridge Between Sensibility and Space — Calligraphy A...
Chihiro Nakamura.She never studied under a master. Yet from childhood, the moment a brush touched paper, something in her came alive. Year after year, works made for school assignments and summer projects were recognized with awards — not because she had been trained, but because the sensitivity was simply there, waiting. A career in design followed. But when the time came to speak as...
Creative Works
Yuki Nishi | Designing the Light of “Fun”
A Childhood Vision That Became Reality Yuki Nishi, a game creator based in Saitama, Japan, has been captivated by the “architecture of play” since his elementary school days. While his peers were immersed in the experience of playing, Nishi was already deconstructing the mechanics behind the screen. This early fascination led him to produce original games during university, eventually securing a position at a...
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